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Slaughterhouse-Five: A Novel-Kurt Vonnegut

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A special fiftieth anniversary edition of Kurt Vonnegut’s masterpiece, “a desperate, painfully honest attempt to confront the monstrous crimes of the twentieth century” (Time), featuring a new introduction by Kevin Powers, author of the National Book Award finalist The Yellow Birds Selected by the Modern Library as one of the 100 best novels of all time  Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had witnessed as an American prisoner of war. It combines historical fiction, science fiction, autobiography, and satire in an account of the life of Billy Pilgrim, a barber’s son turned draftee turned optometrist turned alien abductee. As Vonnegut had, Billy experiences the destruction of Dresden as a POW. Unlike Vonnegut, he experiences time travel, or coming “unstuck in time.” An instant bestseller, Slaughterhouse-Five made Kurt Vonnegut a cult hero in American literature, a reputation that only strengthened over time, despite his being banned and censored by some libraries and schools for content and language. But it was precisely those elements of Vonnegut’s writing—the political edginess, the genre-bending inventiveness, the frank violence, the transgressive wit—that have inspired generations of readers not just to look differently at the world around them but to find the confidence to say something about it. Authors as wide-ranging as Norman Mailer, John Irving, Michael Crichton, Tim O’Brien, Margaret Atwood, Elizabeth Strout, David Sedaris, Jennifer Egan, and J. K. Rowling have all found inspiration in Vonnegut’s words. Jonathan Safran Foer has described Vonnegut as “the kind of writer who made people—young people especially—want to write.” George Saunders has declared Vonnegut to be “the great, urgent, passionate American writer of our century, who offers us . . . a model of the kind of compassionate thinking that might yet save us from ourselves.” Fifty years after its initial publication at the height of the Vietnam War, Vonnegut's portrayal of political disillusionment, PTSD, and postwar anxiety feels as relevant, darkly humorous, and profoundly affecting as ever, an enduring beacon through our own era’s uncertainties. “Poignant and hilarious, threaded with compassion and, behind everything, the cataract of a thundering moral statement.”—The Boston Globe

Book Slaughterhouse-Five: A Novel Review :



I remember reading this in American Literature class, and I always wanted to come back to it because it's just one of those books that I don't think reading it once will suffice. There's obviously a lot more going on there than initially meets the eye.There's the obvious story, which is about Billy Pilgrim, a veteran and optometrist who is seemingly suffering from some sort of mental illness like PTSD from his time in the war, and also some sort of possible brain damage suffered from an airplane crash. These elements compound each other and Billy finds himself traveling through time to different points in his life; during his time in World War II, during his time with his wife Valencia, on a planet inhabited by the Tralfamadorians (who have him locked up as a human zoo exhibit), and a few others.But then there is the author's underlying messages, one of which is about the utter senselessness of war. The Germans are making candles out of the Jews while Americans are melting German teenagers and we all know that the Soviets were starving tens of millions of their own while fighting the Germans. It's just a vicious cycle of death and evil.The other message is a philosophical one. There's a very strong sense that there is no free will and there is also a sense of nihilism that no matter what we do, the outcomes are fixed, and the future unchanging.I hope that the philosophical message isn't a correct one. I tend to side with those who believe strongly that we are in control of our fates and that no matter how dire the circumstances, we have the choice to make things a little bit better. Ironically I think Vonnegut has done exactly that with his book. He has made an impact with this book by bringing awareness to the evils of war.Read the book. It's a good one.
I write this review for the first-time Vonnegut reader. In my freshman year at Texas Tech University, we read "Breakfast of Champions" by Kurt Vonnegut, Jr. (I'll call it BOC from now on.) It wasn't the first piece of illustrated literature I'd read, but all the quirky illustrations were simple, hand-drawn images of objects I never expected to be depicted in such a way, such as little girl underpants and a beaver. In BOC, Vonnegut (pardon if I don't put the Jr. on each time) introduced the character Kilgore Trout, a writer of science fiction. At one point, Kilgore Trout has an exchange with a truck driver that includes this conversation:“Excuse me,” said the truck driver to Trout, “I’ve got to take a leak.”“Back where I come from,” said Trout, “that means you’re going to steal a mirror. We call mirrors leaks.”“I never heard that before,” said the driver. He repeated the word: “Leaks.” He pointed to a mirror on a cigarette machine. “You call that a leak?”“Doesn’t it look like a leak to you?” said Trout.“No,” said the driver. “Where did you say you were from?”“I was born in Bermuda,” said Trout.About a week later, the driver would tell his wife that mirrors were called leaks in Bermuda, and she would tell her friends.[Vonnegut, Kurt. Breakfast of Champions (pp. 91-94). RosettaBooks. Kindle Edition.]I remember laughing out loud at that passage, Anyway, I fell in love with what I thought was his sense of humor and went on to read six more of his books. As I did, I got more and more depressed. I eventually quit reading his books because I couldn't take it. One of them that I never got around to reading was "Slaughterhouse-Five". I wish I had. It would have explained a lot.Like "Breakfast of Champions", Vonnegut put himself, along with his characters, into the books. This is especially true in "Slaughterhouse-Five" (which I will now refer to as S5). S5 chapter 1 begins with Vonnegut's own story. Chapter 2 begins the story of Vonnegut's avatar, Billy Pilgrim. The story, both the fictional and true elements, is how during the Second World War they got to the German city of Dresden and then survived its firebombing. Witnessing that event in particular and World War II, in general, had a profound effect on Vonnegut. He became charmingly cynical in the extreme.An NPR writer said this about him, "Kurt Vonnegut was a counterculture hero, a modern Mark Twain, an avuncular, jocular friend to the youth — until you got to know him." He wanted to reach young people with his writing even though he was 50 years old. So he created a writing voice that reached the Viet Nam-era youth to tell them his damaged views of life. It worked. Books like S5 and BOC flew off the shelves. Normally, you have to be dead a long time before they are teaching your books in freshman college courses unless you have become a countercultural hero. Such was the case. (BOC was published in 1973 and I was a freshman in 1975.)Listen:You may think I am warning you not to read this or any of his books, but it isn't true. I think he was a brilliant writer and truly was an American master. But, I also think you should inform yourself about what is going on behind the scenes. There is no lack of information about the enigma that was Vonnegut, so do a bit of digging and make sure you understand something about the trip you will take.One of the things you'll discover about his books is to watch for his "signature move". In BOC, the little drawings were the quirky window dressings he added. In S5, he uses the phrase "So it goes." When you read S5, you'll see this phrase every time death is mentioned, whether it is the death of a person, an idea, a product or whatever. There has been a fair bit of analysis written about what he meant by it. One of the things about World War II that deeply affected Vonnegut was the mass killing of people whether by firebombing (Dresden, Tokyo, etc) or the nuclear bombing of cities (Hiroshima, Nagasaki). This was death on a grand scale and it had a profound effect on his mind. In S5, there are over 100 references to death and each one is accompanied by "So it goes." Quite often, the references are both ghastly and ironic.Here is an example:"Early in 1968, a group of optometrists, with Billy among them, chartered an airplane to fly them from Ilium to an international convention of optometrists in Montreal. The plane crashed on top of Sugarbush Mountain, in Vermont. Everybody was killed but Billy. So it goes.While Billy was recuperating in a hospital in Vermont, his wife died accidentally of carbon-monoxide poisoning. So it goes."[Vonnegut, Kurt. Slaughterhouse-Five (p. 31). RosettaBooks. Kindle Edition.]I hope you enjoy "Slaughterhouse-Five"; I did. However, I protected myself by waiting until I was 63 and knew how to guard my mind. Others can tell you more about what you'll get from the story. I'm just here to make sure you are wearing your safety harness.

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